The Unseen Footage: What Happened To Noise Artist Danny Tantrum After The Controversial On-Stage Incident?

The search term "Danny Tantrum poop video" refers to one of the most shocking and controversial live performances in the history of the underground noise music scene. The incident, which took place in late 2019, involved the Texas-based performance artist Danny Tantrum engaging in an extreme act of on-stage defecation and subsequent consumption, an event that instantly went viral and created a lasting, infamous legacy. As of December 2025, the video and the surrounding controversy continue to be a subject of intense curiosity, raising questions about the boundaries of performance art, the nature of shock value in music, and the artist's current activities. This article provides an in-depth profile of Danny Tantrum, a comprehensive explanation of the notorious 2019 incident at The Coral Snake in Austin, TX, and an analysis of the artist’s place in the broader context of extreme performance art, using the most current available information.

Danny Tantrum: Professional Profile and Known Works

While the personal details of many underground noise and performance artists are often obscured by their stage personas, the professional profile of Danny Tantrum is defined by their uncompromising, confrontational approach to sound and spectacle. Danny Tantrum operates primarily within the noise music and power electronics genres. This genre is known for its use of abrasive, non-traditional sound structures, distortion, and a heavy emphasis on live performance as a visceral, often painful, experience. The artist is based in the Austin, Texas music scene, which has a long history of supporting experimental and boundary-pushing acts. The core of Danny Tantrum’s work is less about musical structure and more about shock value and performance art, designed to elicit a strong, immediate reaction from the audience. Their performances are conceptualized as an assault on the senses, both auditory and visual.

Key Known Works and Discography Entities

Despite the focus on live performance, Danny Tantrum has a presence on major music platforms and the Discogs database, confirming their status as a legitimate, albeit extreme, recording artist. Known track titles and entities associated with the artist include:

• *BlahbLahblAhblaH*
• *Tantrum*
• *Applesauce*
• *&2*
• *Tracks1*

These titles, often abstract and non-descriptive, reflect the chaotic and uncommercial nature of the harsh noise subgenre they inhabit. The artist's discography serves as a tangible record of their output beyond the infamous live act.

The 2019 Coral Snake Incident Explained

The event that catapulted Danny Tantrum from a local Austin curiosity to an internationally recognized figure in extreme performance art took place on Wednesday, December 18, 2019. The performance occurred at a venue called The Coral Snake in Austin, Texas, during a show that also featured other underground acts like Schizing Out and Terminull.

Sequence of the Controversial Act

The incident was not a spontaneous outburst but an intentionally shocking piece of performance art.

1. During their set, Danny Tantrum sat on a stool on stage, reportedly while their harsh noise set was still playing.
2. The artist then proceeded to defecate on the stage in front of the audience.
3. In the most infamous part of the act, the artist reportedly took the feces and consumed it mid-performance.

The act was filmed by attendees and, crucially, was reportedly shared by Danny Tantrum themselves on social media channels, leading to its rapid spread across the internet. The immediate reaction was one of shock and disgust, leading to the show being cut short and the venue, The Coral Snake, facing significant backlash and reputational damage.

The Aftermath and Scene Reaction

The fallout from the incident was immediate and severe, polarizing the Austin music scene.

• Venue Backlash: The Coral Snake venue faced public criticism and the show was ended prematurely. The incident prompted other local venues to issue statements urging promoters not to book the artist for future shows, citing the defacing and unsanitary nature of the performance.
• Public Division: The act sparked a fierce debate online and within the underground music community. Many condemned the performance as gratuitous, disgusting, and a cheap stunt, while a smaller contingent defended it as a legitimate, albeit extreme, form of shock art and a critique of societal taboos.
• The Video's Legacy: Although the original footage was difficult to find after the initial viral spread due to content moderation policies on major platforms, the search term "danny tantrum poop video" remains a high-volume query, solidifying the incident’s place in internet lore.

The Context of Shock Art: Danny Tantrum and GG Allin

To understand the artistic context of Danny Tantrum's performance, it is necessary to examine the history of extreme performance art and shock rock. The artist's act is frequently compared to the notorious punk rock figure GG Allin.

The Lineage of Confrontation

GG Allin (1956–1993) was famous for his intensely chaotic and self-destructive live shows, which routinely involved self-mutilation, violence, and, most relevantly, on-stage defecation and playing with his own feces. Allin’s acts were a nihilistic statement against mainstream society and rock conventions. Danny Tantrum’s performance draws a clear, albeit modern, line from this tradition. The core artistic statement revolves around pushing the absolute limits of acceptability and creating an unforgettable, repulsive spectacle. In the context of noise music, where the sound itself is often designed to be painful and challenging, the visual act of consuming feces serves as the ultimate, visceral extension of that challenge. It forces the audience to confront their own boundaries and definitions of "art" and "entertainment."

The Artist's Intent and Current Status (2025)

While Danny Tantrum has not widely published a detailed manifesto, the act itself is the statement: a rejection of sanitized performance and a deliberate embrace of the grotesque. The noise scene often champions the abrasive and the forbidden, and this performance is arguably the most extreme realization of that ethos. As of late 2025, Danny Tantrum continues to maintain a presence within the underground. The Discogs profile remains active, and the artist's name occasionally appears in discussions about the most extreme live music incidents, ensuring their continued relevance as a figure of controversy. Their continued existence in the digital and physical underground suggests that the incident, while shocking and career-limiting in mainstream terms, successfully achieved its goal of creating a permanent, unforgettable mark on the history of underground performance art and the harsh noise subculture. The legacy of the "danny tantrum poop video" is not just in the footage, but in the lasting debate about where the line between art and obscenity truly lies.

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